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Distinct shells carrying a filed role for this person — not every shell they have ever touched.
SEC-verified vehicles of the same sponsor, predating these roles and carrying none of them. The badge counts them; the figure beside this one does not.
Mergers closed across all 5 — these vehicles and the franchise's earlier ones together.
Announced but not closed, and still hunting — again over all 5.
No closed vehicle here has both a stored price and a filed trust value to score it against.
4 vehicles on file, newest listing first
4 of 8 appear on more than one · 2 vehicles carry no counterparty filing we have read
6 people on two or more of them
Darla K. Anderson is an Academy Award and Golden Globe-winning feature film producer who currently serves as a producer at Netflix under a multi-year development deal signed in January 2019 to develop and produce new animated and live-action projects. She serves on the Board of Directors of Berto Acquisition Corp. (Nasdaq: TACOU) and Berto Acquisition Corp. II (Nasdaq: GUACU), the latter of which priced an upsized $274 million IPO in May 2026 with a focus on artificial intelligence, AI infrastructure, and the AI supply chain ecosystem. On the Berto Acquisition Corp. II board, she serves alongside fellow directors Sam Lynn and Constance K. Weaver, under Executive Chairman Vikas Mittal and President and CFO Robert You. She also sits on the national board of directors for the Producers Guild of America.
Anderson's career is defined by her 25-year tenure at Pixar Animation Studios, which she joined in 1993 and departed on March 8, 2018. Before Pixar, she worked as an executive producer of the commercial division at Angel Studios in Carlsbad, California, where she was first introduced to 3D computer graphics. At Pixar, she produced some of the studio's most commercially and critically successful films, including A Bug's Life (1998), Monsters, Inc. (2001), Cars (2006), Toy Story 3 (2010), and Coco (2017). Her producing credits earned her an Academy Award for Best Animated Feature for Coco, which grossed over $744 million globally and became the top-grossing film of all time in Mexico. She also won the PGA's Producer of the Year Award in animated theatrical features for Coco, Cars, and Toy Story 3, the latter of which was also nominated for the Academy Award for Best Picture. Additional accolades include a Golden Satellite Award and a BAFTA for A Bug's Life, and a BAFTA for Monsters, Inc. The 2008 Guinness Book of World Records listed her as having the highest average movie gross for a producer at $221 million per film, and the Wall Street Journal reported in 2011 that the combined gross of her four produced films exceeded $2 billion.
Born on October 22, 1968, and raised in Glendale, California, Anderson studied environmental design at San Diego State University, which awarded her the 2017 SDSU Monty Award. She resides in the Noe Valley neighborhood of San Francisco. She is married to Kori Rae, also a Pixar producer known for Monsters University. Anderson has been recognized as a pioneer in computer-animated feature filmmaking, mentored many female producers during her time at Pixar, and is an advocate for the LGBTQ community and organizations that empower women. Her nephew, Jack Taylor, set an NCAA scoring record of 138 points in a single college basketball game.
This record is keyed to SEC CIK 0001767267 — the identifier this person files under in their own name. Every vehicle above is a filing made under that CIK, so “the same person on two shells” is a fact about an SEC identifier rather than about a name that happens to match.
Roles are the strings the filings used, in the order they were filed. Nothing on this page ranks them, infers seniority, or offers a reason why any two of these names recur — a recurrence is a count, and the filings that produced it are linked beside every row. We also hold 44 institutional-holder rows on these vehicles, under 19 distinct name strings, and none of them is counted across vehicles: that table has no CIK column, and matching holders by name would merge firms that are not the same firm.